1598-1664 Spanish Francisco de Zurbaran Galleries Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..  Related Paintings of Francisco de Zurbaran :. | Plato con limones cesta con naranjas y taza con una rosa | artoldo | Saint Engracia | the flight from egypt | The Sudarium of St Veronica |
Related Artists:
TENIERS, David the Elder
Flemish Baroque Era Painter, 1610-1690
Karl Pavlovic Brullow
1799-1852
Francois Quesnel
(ca. 1543 - 1619) was a French painter of Scottish extraction. The son of the French painter Pierre Quesnel and his Scottish wife Madeleine Digby, born in Edinburgh while his father worked for Mary of Guise, Quesnel found patronage at the French court of Catherine de Medici and her son, Henri III (illustration). He married Charlotte Richandeau, with whom he had four children. A widower, he remarried in 1584 Marguerite Le Masson, who gave him ten more children, among whom were Nicolas and Augustin, painters, and Jacques, bookseller. Portrait, possibly of Catherine-Charlotte de la Tremoille, ca 1589, attributed to QuesnelIn Paris he worked as a decorator and a designer of cartoons for tapestry, but it is as a portrait painter, both in oils and in delicately tinted pencil or red and black chalk he is chiefly remembered. Some portraits were engraved by Thomas de Leu and Michel Lasne, and in 1609 he drew a map of Paris for engraving by Pierre Vallet. He died in Paris.